Right from the start of my short belly dance life, I’ve focused on Am Cab and tribal conditioning and practically ignored Egyptian style. But if anyone thinks that means I would resist Ranya’s fabulous new collection of instructional DVDs in Egyptian styling, they can think again. As a matter of fact, I can already perform the beginner choreography on Modern Oriental, Bellydance Egyptian Style.
Well can perform it because it’s not a difficult or complex choreo and it’s very tied into the music, so when you hear the accents, you can’t help remembering the moves you’re supposed to do. But whether I can perform the 2 minute choreography Egyptianly or not, is another matter. That nuancing is going to take awhile.
Modern Orietnal has two choreographies on it: a 2 minute beginner finale and a longer 7-minute embelished advanced choreography. The choreographies are set to Layalina and the Finale on Wash ya Wash Vol 4 by Yousry Sharif – who happens to be Ranya’s teacher.
In this preview, Ranya tells you about how Egyptian dancers have used and expressed themselves with Egyptian music. The clip may actually give the impression that the whole video is involved and complex and “talky”. Not so. This is really a big chunk of the introduction. When one third of the clip is left, Ranya tells you what you’ll find on the video. I’ll say this: she definitely delivers on what is promised.
To begin at the beginning, Ranya first takes you through a detailed instruction (about 10 minutes of it) on posture and alignment, obviously with special emphasis on Egyptian style. Then you have a warm up combined with technique review. It’s a warm up, not a hardcore conditioning workout. I’d recommend that anyone who’s using this DVD go through it because you will become accostomed to the way Ranya moves and the terminology she uses. Anyway, you need to warm up and this is a gentle stretchy session of about 15 minutes.
Next thre’s a unique 2-minute section with lots of tips on working with the step combinations. Where should you focus, how do you use the beat and stay on it, how to get over getting confused with the left and right foot.
And this leads straight into an explanation of how we will work with the choreographies.
A demo (in training gear) begins our work with the Finale to Layalina. Ths is a charming and perky piece of music and I really like it. The instruction follows a familiar World Dance format – learn with explanations and then dance along twice with music.
Ranya is a good instructor. Just the right mix of everything,r eally. She is very thorough and tells you about all the details, particularly which muscles to use for this style and how to interpret the music. The detail would be a lot to take in if she weren’t so well-paced, so natural and vivacious. Even funny at various points. You instantly feel completely at ease with her. She has what I call good video presence: unself-conscious, relaxed and just like she’s talking to you and you only.
The Finale has 7 combinations. There are repeated patterns but the choreography doesn’t look repetitive. Can absolute beginners pick it up? Well, sure, probably. But it won’t look the same unless there’s been a few months of isolations. Nevertheless, no harm attempting it at all. If you need drills, there’s a segment of drills of movements from the choregraphy after the instruction. Recommended. If you’re not used to Egytpian, like me, you can do with repetitions of how to make circles and hip drops etc look way jucier and how to get the baladi bounce into it.
Ranya tells you all about the rhythms in the music as we go along and really makes it meaningful. Wonderful little choreography, in my opinion.
And then… we get to the meat of it all. The more advanced choreography. Same format, same detail. It’s just that this is a longer choreography and full of layers and detail and nuances. Ranya mentions that you can choose to develop your dance gradually with this choreography. It’s totally connected to the first choreography and some steps are the same but are made more complex now with decorations. Here you can see the inward moes and embellishments that make this dance different. After 14 combinations, we end up with the Finale, or the first choregraphy. But here the Finale is a little more layered and accented.
After the whole Layalina instruction, Ranya gives you an option for a veil entrance and she tells you how to modify movements to come in with the veil. Nice!
There are some tougher drills after this for the advanced learner. Six of the.
And finally, the Layalina performance in costume.
Ranya enjoys herself. And I think so will anyone who learns with her.

March 31, 2009
ooooooooooh thanks mala, am waiting for my copy sounds greeeaat!!
March 31, 2009
Another great in depth review from Mala who always seems to be able to tell us exactly what we need to know about the dvd.
Thank you.
March 31, 2009
Ohhhhh my! How am I ever going to get anything done when she keeps turning out such fantastic content?
March 31, 2009
I know what you mean! And there’s still her Classical Egyptian to come out. You totally should watch her Baladi – the second disk is full of stuff on your favorite topic: improvisation. I still haven’t got down to watching that fully either. Just glanced a bit here and there. One needs a day dedicated to just watching.
April 7, 2009
Hmm I’d like to see an instructor make a DVD on Shaabi…
April 8, 2009
Boy, I don’t even know what that is. Maybe we should make a wish list.
April 9, 2009
BD addict Ahava is planning a Shaabi dvd for Cheeky girls!!
SHe will be doing a SERIES on Egyptian style YAAYY!!
she suggested saidi, shaabi, drum solo and something else.. she let the fans give her some input. I do not know what she will eventually make of it, but shaabi was very popular on that thread!!
Shaabi is the kind of music I think you hate Mala – the very masculine, a bit shout-ey Egyptian popular music!
It started with Ahmad Adaweyya, I think, whom I looove. See Fifi dancin to one of his songs:
http://www.youtube.com/watch?v=o-RfpVL6Ll4
Modern shaabi is Hakim or Saad. Some of their songs are on the BDSS compilations. Ansuya dances to these songs pretty often. I might be wrong but I think it is not your taste at all Mala
However the dancing can be very cute! and you d be too curious to let such a dvd go
I am not entirely sure whether I love or hate contemporary shaabi. It s really very masculine. And can get a bit annoying. Dunno.
April 9, 2009
http://tribes.tribe.net/ahava/thread/a070ce63-a3fb-4796-9dbb-eea5ae959d48
April 9, 2009
I really don’t like shaabi either, I’m glad I’m not alone because I’ve been feeling guilty about it!
My (real) teacher does a lot of shaabi and authentic saidi choreographies, and I’m not all that keen even though she has a lot of knowledge in these areas which I think is rare. I quite like a lot of the moves because of the energy, but the music hurts my ears.
April 9, 2009
That mizmar thing hurts my ears. It even hurts my teeth. Is this shaabi? http://tinyurl.com/c96zgs
April 9, 2009
Actually, I do not think this is shaabi!
I am thinking it is a Lebanese pop song, originally (the original version is a bit faster).
But i cannot think of who sings it, and what it s called! so I m not 100% sure it s not shaabi.
This is typical though:
http://www.youtube.com/watch?v=s4vQBRjgwxk&feature=related
http://www.youtube.com/watch?v=vnht9ksg-Ck
I sometimes like the energy, like here:
http://www.youtube.com/watch?v=vVwEztD9xnU
It s called Khalany baeed (leave me alone). Really like it, but some of these songs can be annoying!
(at least to me!)
April 10, 2009
Oh btw the Jillina pop choreography (IAMED), which you liked a lot Mala, is to a shaabi piece too!
April 10, 2009
Oh! No wonder it was so noisy. No, I don’t like that music at all. I did like the choreography and have to get back to the second half of it sometime. I found those combinations very useful and they obviously went into my muscle memory because when I’m improvising, those comes come up now and then. Or did, a while ago.
April 10, 2009
Oh yeah shaabi is the epitomy of noise
)) definitely not for the shy at heart
))